PH 302 Theory and Criticism
Photography: Theory & Criticism will examine historic and contemporary philosophical, aesthetic, and epistemological topics addressing the evolution of theories germane to contemporary photographic discourse. As a class, we will address structuralism, post-structuralism, deconstruction, semiotics, and the taxonomy of visual representation from simulacrum to social classification analysis. Conceptual understanding and the successful application of the topics addressed throughout this course are designed to further develop your photographic lexicon. The application of thoughtful, theory-based ideas can be employed to promote visual solutions to challenges in the design, execution, and creation of your work. Theories and topics discussed in the readings will be introduced with supporting imagery for discussion and debate.
Active discussion and participation are core requirements of this course.
Thursday, November 3, 2011
Reading 08
The Photograph as an Intersection of Gazes the Example of National Geographic by Catherine Lutz and Jane Collins
Wednesday, November 2, 2011
Readings 07
Cindy Sherman: Burning Down the House by Jan Avgikos
Thursday, October 27, 2011
Exhibition Review
Two page critical review of the exhibition at the Howard Yezerski Gallery:
http://www.howardyezerskigallery.com
460 Harrison Avenue, A16
Boston, Massachusetts 02118
phone(617) 262-0550 fax (617) 262-2444
Gallery Hours:
Tuesday - Friday 10 - 5:30pm
Saturday 11 - 5:30pm
Closed Sunday and Monday
Due next class.
Wednesday, October 19, 2011
Readings 05
Photographs of Agony by John Berger
In, Around, and Afterthoughts (on Documentary Photography) by Martha Rosler
Or one of the following:
Photojournalism and the Tabloid Press by Karin E. Becker
To Rescue Time from Photography by Carol Bove
Obsessive-Compulsive Daydreaming by Mary Heilmann
Monday, October 17, 2011
Readings 04
The Shadow of the Object: Photography and Realism by Sara Kember
Bring to class lens-based representations from each essay and be prepared to discuss the work you have selected in conjunction with the readings.
I look forward to reading your blog postings!
Saturday, September 24, 2011
Readings 03
A PHOTOGRAPH by Umberto Eco
PHOTOGRAPHY AND FETISH by Christian Metz
and introducing our next section on the postmodern.....
WINNING THE GAME WHEN THE RULES HAVE BEEN CHANGED: ART PHOTOGRAPHY AND POSTMODERNISM by Abigail Solomon-Godeau
Next class we will be discussing the readings in detail, so please have your comments and image examples available for in-class conversation. In addition, we will look at examples of critical/analytical reviews of work in conjunction with our forthcoming assignment (due class 05).
If you have any questions please contact me.
Saturday, September 17, 2011
Readings 02
Ways of Seeing by John Berger
Benjamin and the Political Economy of the Photograph by W. J. T. Mitchell
Rhetoric of the Image by Roland Barthes
Photography within the Humanities by Susan Sontag
The order above is recommended. If you have any questions or concerns please feel free to contact me.
Sunday, September 11, 2011
Readings 01
Extracts from Camera Lucida by Roland Barthes (found in your book as well)
The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin
On the Invention of Photographic Meaning, 1975 by Allan Sekula
If you have any questions please feel free to contact me.